In »Fake Diamonds« René*e returns to the dance floors of her past, to gyms, community halls and ballrooms. She dances with and against herself as a former dancer in the competitive sport of Latin American ballroom dancing. In the sparkling glow of fake diamonds, René and her team are now choreographing the old dances anew. With a queerfeminist dance performance, they question sexiste and racist structures in competitive dance, the heteronormative ideal of the romantic couple and binary ideas of winning and losing.
René*e Reith (all pronouns) works as a choreographer, performance artist and dance scholar.
