Inhalt halt keine Relevanz, weil dieser beitrag per redirect umgeleitet wird auf: Sportfest

Connected in the fight against anti-Muslim racism & anti-Semitism.
A relaxed series of events on intense topics.

«مِت ڤيركونغ» (تشارك): سلسلة فعاليات «ريلاكسد» حول مواضيع جادة

في ظل أجواء الانقسام في برلين، حيث الخطاب السائد مشوَّش والتعريفات مسيَّسة، تهدف سلسلة فعاليات «مِت ڤيركونغ» إلى طرح وسائل التضامن وإلى خلق مساحات للسمع والتعلم والتأمل والتبادل. مرتكزة على الروابط في النضالين ضد العنصرية تجاه المسلمين ومعاداة السامية، تدعو «مِت ڤيركونغ» الحضور إلى التفاعل مع رؤًى مختلفة، وتساؤلات، وتحديات متعلقة بتلك النضالات.

اللغة: اللغات الأساسية ستكون الإنكليزية والألمانية، لكن ستتوفر ترجمة فورية بالعربية أيضًا.

Language
The main languages are English and German.
Simultaneous translation into English, German and Arabic will be provided.

Upcoming events:
22.03.2025
Mit Uns
23.03.2025
Mit Media
25.04.2025-27.04.2025
the land speaks to me of something shared: a prayer for ancestral rhythms

Past events:
11.12.2024
Mit Denken
12.12.2024
Mit Sprechen
06.02.2025
Mit Machen 

Rhythm travels, Rhythm migrates, Rhythm adapts, Rhythm resists. Rhythm is a vibration that synchronizes your heartbeat to the heartbeat of another. In this performance, Rhythm is the character of Jewish diaspora, reaching back in time to shared Jewish-Muslim worlds: worlds that were not defined by borders, nationalisms, or divisions that emerged with the advent of colonialism. Artist Anna Lublina and musician hoyah work with tap dance, extended vocal techniques, and live mixing to ask what the political and cultural history of diasporic Jewish rhythm (and its embodiment) can teach us in a time marked by polarization and violence.

Anna Lublina and their team are all artists trying to flee the confines of nationalism in the spirit of Doykeit.

On April 25th will be an additional performance as part of part of »Mit Wirkung. Eine Relaxed Veranstaltungsreihe über intensive Themen«

After a month of training, the 13 graduates of this years Dyke* High will be present their showcase and the hottest graduation you have ever been to. . .

Magic Dyke* is a masc Dyke* stripping group based in Berlin by and for lesbians, queer women, non-binary, trans, intersex and agender people showing masc stripping from non-cis masculinities and give butches, studs, bois, mascs and genderfuckers a stage to feel sexy in a world that tells them they aren’t. Since May 2022, Magic Dyke* creates sensational shows and provides a party that is a safe space for the SLINTA* (sapphic, lesbian, intersex, non-binary, transgender, agender) community in Berlin. A safe door policy that doesn’t judge based on appearance, queer SWer-led SLINTA*-only darkroom, sex-positive atmosphere and effort to make it as inclusive an environment as they can. Through them, people get to see butches, studs and other sapphics with masc expression being seen as sexy, creating a sense of euphoria in all those who identify with or are attracted to butchness.

In “Ibsen Gespenster”, the Markus&Markus theater collective portrayed Margot, an 81-year-old woman who planned her own death with a Swiss euthanasia organization, in 2015. The collective accompanied her in the last weeks of her life. Before and after the shootings, there was something to eat for refreshment.

The collective is now inviting people to these meals. What was served at the time will be served – along with the behind-the-scenes videos in a continuous loop. A cordial invitation to join us at the table!

Markus&Markus theatre collective is working together since 2010, consisting of Lara-Joy Bues, Katarina Eckold, Markus Schäfer and Markus Schmans. Together, the collective stands for an original form of political theatre: They portray protagonists through whom the treated topic moves closer to the audience. The work is characterized by intensive research that is captured on camera and in this way brought on stage.

Based on four Chinese artists and their mothers, the documentary theater piece explores their diaspora experiences and the dynamics of their feelings and perceptions of home. The tendency towards cultural de-globalization plays just as much a role as the uncertainty of mobility, the tension of multiple identities and the redefinition of diaspora in the contemporary context.

The Berlin-based collective Nomadic Minutes consists of the artists CAO Kefei, ZHOU Niannian, ZHANG Deng and LIU ShiYu. They were born in China in four different decades, live and work in Germany and are active in artistic creation and cultural exchange between the two continents. »To Mom, I want to…« is a co-creation with author and playwright Jiayun Zhuang, who lives in China and the USA.

这部纪录剧场作品以四位中国艺术家以及与她们母亲的关系为核心，探讨她们的离散经验以及对家园情感和认知的动态变化。这是一个无法回避的两难问题：一方面是世界公民对单一归属感的疏离，另一方面是她们对母亲和家园深层而又复杂的情感。该作品揭示了个人如何不断跨越语言、时间和空间的边界，如何应对信息不对称和社会文化差异。面对文化去全球化的趋势，作品进一步思考流动性的不确定性、多重身份的张力，以及重新定义“离散“在当代背景下的意义。 

柏林剧场组合游牧分钟 由艺术家曹克非、周念念、张灯和刘诗雨组成。她们分别出生于中国不同年代，活跃于中德两地的创作和文化交流。对妈妈，我想 … 是与居住在中国和美国的编剧兼戏剧构作庄稼昀的共同创作。 

The premiere on May 10 will be followed by an audience discussion.

Children from Leipzig, Zurich, Duisburg and Berlin talk (about) themselves and their lives – sometimes predictable, sometimes surprising, sometimes unadapted. The texts are spoken and acted by adults. The result is a polyphonic and idiosyncratic picture in which fiction and reality, past and future seem to dissolve into the present. An evening that tries to take children seriously and give them their own perspective.

vorschlag:hammer have been developing theater productions as a collective since 2009. In recent years, their performative narrative theater has opened up to a wide variety of aesthetic strategies, to visual-atmospheric or body-oriented works. They freely adapt existing material or develop research-based productions on ever new topics.

SYMPOSIUM is not a conference, nor an artist talk. SYMPOSIUM is a night of experimental lecture-performances and it thanks you for your attention. SYMPOSIUM welcomes professional and non-professional performers alike to mis- and re-purpose the slideshow as a medium — to share a niche interest, to seduce their crush, to dance with knowledge, to invent a new persona, to lose the plot, to move to tears, or to make something up. They each have 15 minutes. They may approach this with playful exuberance or intense seriousness.

Curated and stewarded by Miriam Woodburn, Dora Dubber and Nelya Ahmia, SYMPOSIUM emerges from their Berlin-based »Presentation Club«, an event series featuring 10-minute PowerPoint presentations on niche topics.

»Confronting the Shadow« by the Ukrainian director Tamara Trunova is a co-production between the Left Bank Theatre in Kyiv and the Performing Exiles Festival. The work is an attempt to represent and highlight the theme of absence.

Performing Exiles is an international and interdisciplinary festival produced by the Berliner Festspiele, that seeks to make diasporic lives in the city of Berlin visible and explore the contemporary meaning of exile. Performing Exiles will take place from 19 to 28 June 2025 at the Haus der Berliner Festspiele, the HAU – Hebbel am Ufer and Ballhaus Ost.

In their new work »TRUEMMER«, Jan Koslowski and Marlene Kolatschny explore the idea of the broken, the leftover, the removal of remnants and loss together with the ensemble.

Jan Koslowski, director and author, and Marlene Kolatschny, dramaturge and author, have been friends and collaborators for many years.

Along the river Elbe the last ice age divided the European crow population into two evolutionary lines. On the anniversary of the melting of the glacier, raven and hooded crows rehearse a joint ceremony. The audience is caught in a field of hearsay, attributions and self-images. How can division be overcome?

Sebastian Mauksch & team develop theatre as a space of experience for children and young people. Through the interplay of acting, dance, text, visual arts, sound and technology, they explore social issues with the audience and invite them to try out their own attitudes and actions.