Tue

20.5.

20:00
Presentation Club

Sun

1.6.

14:00 Opening day
Samuel Hertz

Sun

1.6.

14:00 Opening day
Barbara Lenartz | Anton Rose

Sun

1.6.

14:00 Opening day
Yves Regenass

Sun

1.6.

14:00 Opening day
Sportmuseum Berlin

Sun

1.6.

14:00 Opening day
Jasper Landmann

Sun

1.6.

19:00 Opening day
Johannes List

Mon

2.6.

Mon

2.6.

Tue

3.6.

Wed

4.6.

Fri

6.6.

17:00
ADV Zebras Berlin

Fri

6.6.

19:00
FEELINGS

Fri

6.6.

21:00
Norwin Tharayil

Sat

7.6.

13:00
Streetball Team Berlin

Sat

7.6.

17:30
Norwin Tharayil

Sat

7.6.

19:00
Eva Hintermaier | Simon Kalus

Sat

7.6.

21:00
FEELINGS

Sun

8.6.

17:00
Eva Hintermaier | Simon Kalus

Sun

8.6.

18:30
FEELINGS

Sun

8.6.

20:00
Norwin Tharayil

Mon

9.6.

Fri

13.6.

18:30
Ahilan Ratnamohan

Fri

13.6.

21:00
Toni Jessen | Sebastian Mauksch | Volkan Türeli

Sat

14.6.

Sat

14.6.

18:30
Toni Jessen | Sebastian Mauksch | Volkan Türeli

Sat

14.6.

21:00
Ahilan Ratnamohan

Sun

15.6.

17:30
Ahilan Ratnamohan

Sun

15.6.

20:00
Toni Jessen | Sebastian Mauksch | Volkan Türeli

Mon

16.6.

Thu

19.6.

18:30
Jäckie Rydz

Thu

19.6.

19:30
Pissy – the podcast of Missy Magazine

Thu

19.6.

21:00 FLINTA+
Natasha Borenko | Lidiia Golovanova

Fri

20.6.

18:30
Jäckie Rydz

Fri

20.6.

21:00
René*e Reith

Sat

21.6.

18:00
Natasha Borenko | Lidiia Golovanova

Sat

21.6.

20:00
René*e Reith

Sat

21.6.

21:00
Rahel Crawford Barra | Nattan Dobkin

Thu

26.6.

21:00 Premiere
Tamara Trunova

Fri

27.6.

21:00 + artist talk
Tamara Trunova

Sat

28.6.

21:00
Tamara Trunova

Productions

  • © Jerun Vahle

  • © Jerun Vahle

  • © Jerun Vahle

  • © Jerun Vahle

  • © Sebastian Blasius

Schiffbruch mit Zuschauenden (Fünf Etüden)

Sebastian Blasius

Is Western theater still contemporary? Its components are fundamentally involved in power and sovereignty: be it the hero figure, who as an individual with the power to act must decide the course of events; or how linearly temporality is negotiated on stage and how principles are thereby perpetuated that cannot be separated from processes of economization and colonization. These ‘sovereignty effects’ of theater become visible especially in the wake of the climate and corona crisis, which makes us aware of our fragility. How can an alternative approach to the practices of theater-making be found – what would be the potentials of a ‘theater of the unsovereign’ instead?
Sebastian Blasius and his team experimentally approach the configuration of such an alternative theater model. Texts by the author Björn SC Deigner juxtapose the trials on stage with very concrete topics such as Ukraine, Europe and flight. The five etudes nevertheless remain fragile with a political claim; they unsettle the gaze in order to seek a community of the vulnerable in seeing. An ‘operation on the open heart’ of the theater.

 

The director, choreographer and theater scholar Sebastian Blasius realizes projects at the interface of performing, visual and acoustic arts. At Ballhaus Ost, he most recently showed »Die Räuber der Geschichte«.

 

On Nov. 25, 2022, following the performance, there will be a conversation with the team, »Vom Versuch, Theater von Fragilität ausgehend zu denken,« moderated by Dr. Marcus Quent (University of the Arts, Berlin).

Premiere

  • Nov 24, 2022
Past Dates
  • Nov 24, 2022
  • Nov 25, 2022
  • Nov 26, 2022
  • Nov 27, 2022

Tickets

15 | 10 Euros
For online tickets, 10% presale fee and 2,- Euro service fee are charged in addition to the basic ticket price by the provider Reservix.

Language

German

Performance

Katja Gaudard, Hauke Heumann, Johanna Ackva, Katharina Shakina, Jens Lamprecht

Direction

Sebastian Blasius

Text

Björn SC Deigner

Stage

Caspar Pichner

Assistence

Melina Brinkmann

 
A production by Sebastian Blasius in cooperation with Ballhaus Ost. Supported by the Hauptstadtkulturfonds.