Thu

5.10.

20:00 Premiere
Company Christoph Winkler

Fri

6.10.

20:00
Company Christoph Winkler

Sat

7.10.

20:00
Company Christoph Winkler

Sat

7.10.

22:00 #9
Das Helmi

Sun

8.10.

Sun

8.10.

18:00
Company Christoph Winkler

Fri

13.10.

20:00 Premiere
Anna Peschke

Sat

14.10.

20:00
Anna Peschke

Sun

15.10.

18:00
Anna Peschke

Fri

20.10.

20:00 Premiere
Björnsson / Marx

Sat

21.10.

20:00
Björnsson / Marx

Sun

22.10.

18:00
Björnsson / Marx

Fri

27.10.

20:00
Julia*n Meding / ANTISEPT

Sat

28.10.

Sat

28.10.

Sat

28.10.

Sat

28.10.

20:00
Julia*n Meding / ANTISEPT

Sun

29.10.

18:00
Julia*n Meding / ANTISEPT

Sat

4.11.

22:00 #10
Das Helmi

Wed

8.11.

20:00 Premiere
Hysterisches Globusgefühl

Fri

10.11.

20:00
Hysterisches Globusgefühl

Sat

11.11.

20:00
Hysterisches Globusgefühl

Sun

12.11.

18:00
Hysterisches Globusgefühl

Thu

16.11.

20:00 Premiere
Manuel Gerst

Fri

17.11.

20:00
Manuel Gerst

Sat

18.11.

20:00
Manuel Gerst

Wed

29.11.

20:00 Premiere
investigative theater

Wed

29.11.

20:15
investigative theater

Wed

29.11.

20:30
investigative theater

Thu

30.11.

20:00
investigative theater

Thu

30.11.

20:00 Premiere
Julia B. Laperrière

Thu

30.11.

20:15
investigative theater

Thu

30.11.

20:30
investigative theater

Fri

1.12.

20:00
investigative theater

Fri

1.12.

20:00
Julia B. Laperrière

Fri

1.12.

20:15
investigative theater

Fri

1.12.

20:30
investigative theater

Sat

2.12.

20:00
investigative theater

Sat

2.12.

20:00
Julia B. Laperrière

Sat

2.12.

20:30
investigative theater

Sun

3.12.

18:00
Julia B. Laperrière

Sun

3.12.

20:00
investigative theater

Sun

3.12.

20:15
investigative theater

Sun

3.12.

20:30
investigative theater

Productions

  • © Jerun Vahle

  • © Jerun Vahle

  • © Jerun Vahle

  • © Jerun Vahle

  • © Sebastian Blasius

Schiffbruch mit Zuschauenden (Fünf Etüden)

Sebastian Blasius

Is Western theater still contemporary? Its components are fundamentally involved in power and sovereignty: be it the hero figure, who as an individual with the power to act must decide the course of events; or how linearly temporality is negotiated on stage and how principles are thereby perpetuated that cannot be separated from processes of economization and colonization. These ‘sovereignty effects’ of theater become visible especially in the wake of the climate and corona crisis, which makes us aware of our fragility. How can an alternative approach to the practices of theater-making be found – what would be the potentials of a ‘theater of the unsovereign’ instead?
Sebastian Blasius and his team experimentally approach the configuration of such an alternative theater model. Texts by the author Björn SC Deigner juxtapose the trials on stage with very concrete topics such as Ukraine, Europe and flight. The five etudes nevertheless remain fragile with a political claim; they unsettle the gaze in order to seek a community of the vulnerable in seeing. An ‘operation on the open heart’ of the theater.

 

The director, choreographer and theater scholar Sebastian Blasius realizes projects at the interface of performing, visual and acoustic arts. At Ballhaus Ost, he most recently showed »Die Räuber der Geschichte«.

 

On Nov. 25, 2022, following the performance, there will be a conversation with the team, »Vom Versuch, Theater von Fragilität ausgehend zu denken,« moderated by Dr. Marcus Quent (University of the Arts, Berlin).

Premiere

  • Nov 24, 2022
Past Dates
  • Nov 24, 2022
  • Nov 25, 2022
  • Nov 26, 2022
  • Nov 27, 2022

Tickets

15 | 10 Euros
For online tickets, 10% presale fee and 2,- Euro service fee are charged in addition to the basic ticket price by the provider Reservix.

Duration

90 minutes

Language

German

Performance

Katja Gaudard, Hauke Heumann, Johanna Ackva, Katharina Shakina, Jens Lamprecht

Direction

Sebastian Blasius

Text

Björn SC Deigner

Stage

Caspar Pichner

Assistence

Melina Brinkmann

 
A production by Sebastian Blasius in cooperation with Ballhaus Ost. Supported by the Hauptstadtkulturfonds.